A sütik segítségével igyekszünk a legjobb vásárlási élményt biztosítani, minden, ezzel járó előnnyel együtt. Ezek közé tartoznak például a a személyre szabott hirdetések és akciók, valamint a preferenciák mentése. Ha ezzel nincsenek fenntartásaid, kérjük, egyszerűen csak add meg beleegyezésed a sütik preferenciákat, statisztikákat és marketinget érintő használatára a „Rendben!” gombra kattintva. (összes mutatása). A jóváhagyásodat bármikor visszavonhatod a sütik beállításainál (itt).
Megjegyzés: Mivel szeretnénk megakadályozni, hogy az értékelések szóbeszéden, hiányos ismereteken alapuljanak, vagy rejtett reklámok legyenek, csak valós ügyfeleink számára tesszük lehetővé értékelések írását, akik valóban tőlünk vásárolták meg a terméket.
A bejelentkezést követően az ügyfélközpontban, a "Termékek értékelése" menüpont alatt megtalálsz minden terméket, amelyet lehetőséged van értékelni.
I bought it for studio and soft live performances. The metal design is sturdy to last forever. The size is slightly small for me to operate, but on the other hand, it allocates small space on the desk. The bypass and sidechain properties are mistery for me, because I've never used them so far. Untrue, bypass was used for some cases but there's always a crack sound so I rather ignore using it. The handling is the usual, as I mentioned, You need sensitive hands to operate the knobs due to lack of space between them. The super nice option is a great alternative for separating heavy and soft compressing. I use the unit with SN OFF when working with drums and bass and I usually turn it ON when I work with vocals or acoustic guitars. I'm satisfied with the sound, I also have an inexpensive DBX and the sound is definitely taken by FMR.
I bought it for studio and soft live performances. The metal design is sturdy to last forever. The size is slightly small for me to operate, but on the other hand, it allocates small space on the desk. The bypass and sidechain properties are mistery for me, because I've never used them so far. Untrue, bypass was used for some cases but there's always a crack sound so
I bought it for studio and soft live performances. The metal design is sturdy to last forever. The size is slightly small for me to operate, but on the other hand, it allocates small space on the desk. The bypass and sidechain properties are mistery for me, because I've never used them so far. Untrue, bypass was used for some cases but there's always a crack sound so I rather ignore using it. The handling is the usual, as I mentioned, You need sensitive hands to operate the knobs due to lack of space between them. The super nice option is a great alternative for separating heavy and soft compressing. I use the unit with SN OFF when working with drums and bass and I usually turn it ON when I work with vocals or acoustic guitars. I'm satisfied with the sound, I also have an inexpensive DBX and the sound is definitely taken by FMR.
Sajnos hiba történt. Kérjük, később próbálkozz újra.
CQ
Excellent, neutral peak compressor
Chris Q. 03.05.2018
The RNC is a fast, peak detector compressor/limiter. I use mine primarily on the way in for recording vocals, acoustic guitar, overheads and bass to add a little bit of polish. Just a bit of fast limiting really makes the difference.
The Really Nice function is great, adding a more forgiving RMS detection style compression character. I've used this when running things back out to it, but am a bit cautious of adding that kind of character during tracking.
My main problem with it is that the attack and release times can be so fast it can be hard to avoid bass heavy instruments distorting. The best workaround for this is to add a HPF to the sidechain - easy really, just a TRS jack and a capacitor. I leave mine in for the most part and it works great.
It's probably the best compressor in its pricerange. If I went back to a desk based studio I'd probably want 3-4 of these before I got anything else.
The RNC is a fast, peak detector compressor/limiter. I use mine primarily on the way in for recording vocals, acoustic guitar, overheads and bass to add a little bit of polish. Just a bit of fast limiting really makes the difference.
The Really Nice function is great, adding a more forgiving RMS detection style compression character. I've used this when
The RNC is a fast, peak detector compressor/limiter. I use mine primarily on the way in for recording vocals, acoustic guitar, overheads and bass to add a little bit of polish. Just a bit of fast limiting really makes the difference.
The Really Nice function is great, adding a more forgiving RMS detection style compression character. I've used this when running things back out to it, but am a bit cautious of adding that kind of character during tracking.
My main problem with it is that the attack and release times can be so fast it can be hard to avoid bass heavy instruments distorting. The best workaround for this is to add a HPF to the sidechain - easy really, just a TRS jack and a capacitor. I leave mine in for the most part and it works great.
It's probably the best compressor in its pricerange. If I went back to a desk based studio I'd probably want 3-4 of these before I got anything else.
Sajnos hiba történt. Kérjük, később próbálkozz újra.
k
Impressed
kjesinisigejsi 26.05.2020
I'm really into analog mixing. This is the first hardware compressor i bought, and I don't regret it a bit.
It's small, it's cute and it gets the job done. It's very clean but if u want to get a little "dirt" and saturation, the attack and release controls got u covered!
It can be used on anything and you can go from subtle compression to smashing drums.
The super nice mode is fantastic. U don't have to chain multiple compressors with small ratio, just use this function.
AND IT IS CHEAP!! I mean it is stereo compressor and u even have a sidechain option. What more could one ask for.
I'm really into analog mixing. This is the first hardware compressor i bought, and I don't regret it a bit.
It's small, it's cute and it gets the job done. It's very clean but if u want to get a little "dirt" and saturation, the attack and release controls got u covered!
It can be used on anything and you can go from subtle compression to smashing
I'm really into analog mixing. This is the first hardware compressor i bought, and I don't regret it a bit.
It's small, it's cute and it gets the job done. It's very clean but if u want to get a little "dirt" and saturation, the attack and release controls got u covered!
It can be used on anything and you can go from subtle compression to smashing drums.
The super nice mode is fantastic. U don't have to chain multiple compressors with small ratio, just use this function.
AND IT IS CHEAP!! I mean it is stereo compressor and u even have a sidechain option. What more could one ask for.
Sajnos hiba történt. Kérjük, később próbálkozz újra.
a
Best in its class (YMMV)
aa.ivanov 06.03.2021
I have two units that I use for live work. On different occasions I had tried them on speech, lead vocals, acoustic guitars, as well as on the main bus. I'm comparing against other budget compressors that I use on a regular basis - DBX 166 XS and Behringer MDX2600.
As far as I can tell the RNC 1773 are completely transparent sonically. Their self-noise is audibly lower than both the 166XS and the MDX2600. This makes them my favorite option so far for speakers and vocals.
As a bus compressors RNCs can help with controlling the dynamics of a band in an unobtrusive way. By all chances they may never become a 'legendary' bus-comp but they will help with keeping the 'this is getting too loud' people in certain types of events off your back.
Probably the most obvious thing RNCs lack is a gate. That's why I'm not eager to use them on anything drum- or percussion-like. Fell free to prove me wrong though.
Overall FMR's RNC 1773 is a great overall compressor for an analog rig where only a couple of channels need dynamics control.
I have two units that I use for live work. On different occasions I had tried them on speech, lead vocals, acoustic guitars, as well as on the main bus. I'm comparing against other budget compressors that I use on a regular basis - DBX 166 XS and Behringer MDX2600.
As far as I can tell the RNC 1773 are completely transparent sonically. Their self-noise is
I have two units that I use for live work. On different occasions I had tried them on speech, lead vocals, acoustic guitars, as well as on the main bus. I'm comparing against other budget compressors that I use on a regular basis - DBX 166 XS and Behringer MDX2600.
As far as I can tell the RNC 1773 are completely transparent sonically. Their self-noise is audibly lower than both the 166XS and the MDX2600. This makes them my favorite option so far for speakers and vocals.
As a bus compressors RNCs can help with controlling the dynamics of a band in an unobtrusive way. By all chances they may never become a 'legendary' bus-comp but they will help with keeping the 'this is getting too loud' people in certain types of events off your back.
Probably the most obvious thing RNCs lack is a gate. That's why I'm not eager to use them on anything drum- or percussion-like. Fell free to prove me wrong though.
Overall FMR's RNC 1773 is a great overall compressor for an analog rig where only a couple of channels need dynamics control.
