I still haven't found out a source that this microphone will not capture without tremendous success. Brass, saxes, congas, drums, no problems.
Much much EQ-able, and musically relevant at that, even at borderline extreme EQ settings.
There is a tendency for the sources to sound closer than where they were recorded. Someone might get the impression while listening, that the instrument would be 40 cm away from the microphone when in reality it is more like 80 cm to a meter.
Gain. I haven't had any problems so far even with inexpensive preamps, such as those in mixers from Behringer, Yamaha etc., or interfaces such as Focusrites, MOTUs and RMEs.
The weight of the microphone is a thing to consider, and I would positively recommend the 4072 shockmount, and a sturdy stand.
All in all, a wonderful microphone, which I love more and more through the years. The only thing I could do to improve this microphone is buy a second one. HA!