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Seymour Duncan Quarter Pound P/J Bass Set

75

P/J Pickup Set

  • For 4-string bass guitar
  • Calibrated Set
  • Passive operation
  • 1/4 " Alnico V magnets
  • High output
  • DC resistance neck: 12.5 kOhm
  • DC resistance bridge: 14.61 kOhm
  • Resonant frequency neck: 10.2 kHz
  • Bridge resonant frequency: 3.9 kHz
  • Made in USA
Aviso Register your purchase at www.w-distribution.de/en/Warranty for an extended warranty of 4 years.
Disponível desde Junho 2014
número de artigo 334999
unidade de venda 1 peça(s)
Active Pickup System No
Wiring 2-Conductor
Colour Black
Position Bridge, Middle
€ 258
Envio gratuito, IVA incluído
Em stock aproximadamente em uma semana
Em stock aproximadamente em uma semana

É previsível que este artigo entre brevemente e stock e o despacho poderá ser feito de imediato.

Informações sobre o envio
1

75 Avaliações de clientes

4.8 / 5

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50 Críticas

CS
Quarter pound magnets are awesome!
Cláudio Sousa 27.02.2022
My 1976 Vester bass, which was back then, a clone of Fender boxer series bass line, nowadays had a muddy and weak tone overall and I knew that a simple pick-up improvement would change that significantly. Why keep a bass that was a clone and sounds like granny farts?! Well it was my first bass and it was made in my birth year so... So, after replacing the old and tired pick-ups to the Seymour Duncan Quarter Pound P/J Bass set, my Frankenstein clone came to life again. But more beautiful than ever, power/tone/clarity on the high and low strings. Awesome electric transformation! He’s alive and kicking...
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A
An amazingly versatile set of pickups.
Anónimo 24.01.2017
Firstly, I've been playing bass in rock bands for the past 5/6 years and I can easily say that this is easily my best purchase in those years.

I bought these pickups to put in a Harley Benton bass worth ¤130, as a fix up project.

Sound:

Where do I begin. These pickups offer a huge array of sounds. The neck pickup (precision) on its own offers a very Fender-esque vintage p bass sound, while also offering it's own spin.

The bridge pickup (jazz) on it's own sounds very different and quite like Jaco Pastorius, while also having it's own spin too. It's thin, but has it's own shine.

My favorite way to run these pickups in a Rock/Punk setting is with both on full and tone on full also. The sound is very full, just enough bass to keep it's presence, while also offering enough treble to cut through any wall of sound.

For a more relaxed Jazz setting I use neck pickup on full with bridge at about 2 and tone at 5. This offers a beautifully smooth sound that sustains into oblivion and drives walking bass lines.

Honestly, my Harley Benton would be horrifying without these pickups. 5 stars.
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DL
A Pleasant Surprise!
David L. 519 26.07.2015
I bought these pickups to put into my Yamaha RBX170 (i.e The cheapest bass you can get). The stock pickups sounded flat and dull to me and since I liked the feel of the bass, I decided the cost of these pickups was better value than a new bass. Honestly, I expected these to get decent enough pickups that would make my bass giggable. But my word was I blown away!

These pickups have some incredible range. While a lot of people (including myself) would know about them through Nick Oliveri and Roger Waters, these pickups can do so much more than punchy rock bass. With just the P-bass pickup, it can get very close to a motown sound. The jazz pickup can nail that post-punk bass sound and with both on you're almost in String Ray territory!
I'd highly recommend these pickups.
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T
The best upgrade for my bass I could do!
Theodoor 26.10.2017
After reading someone else's evaluation of these pickups in a Yamaha RBX170, I decided to give it a go. I have an RBX270, exactly the same model, but quality-wise one step up (different body wood, better tuners). Decent bass for the money, but at that price point the pickups are usually a weak link, giving a somewhat hollow tone and being quite microphonic also. Swapping them for the SD P/J QuarterPounders was a breeze! The manual is clear, but it describes a volume/volume/tone configuration, while my Yamaha has volume/pickup blend/tone. No big deal, just connect the SDs the same way as the original pickups. Now she growls and snarls deeply with a full rich tone, with high output and very little noise! The pickups are balanced very well, the P and J have their own distinctive character but come on equally strong. Tested on a VOX headphone amp and on a Markbass Little Mark III with Peavey 4x10" cab in a band rehearsal. Absolutely no problem cutting through between two Marshall guitar stacks!
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