Con i nostri cookie, vorremmo offrirti la migliore esperienza di shopping possibile, con tutto ciò che ne consegue. Questo include, ad esempio, offerte adatte, annunci personalizzati e il salvataggio delle preferenze. Se per te va bene, acconsenti semplicemente all'uso dei cookie per preferenze, statistiche e marketing cliccando su 'Va bene!' (show all). Il consenso può essere revocato in qualsiasi momento tramite le impostazioni dei cookie (qui)
Interfaccia Guitar Synth + Modelling + Guitar to MIDI
Due suoni Synth possono essere sempre selezionati e combinati tra loro
Modelling Chain completa (chitarra/basso/synth/effetti/amplificatori) dal VG-99, inclusa l'accordatura virtuale - il segnale dei normali pick-up può essere inserito nella catena di modellazione
Si possono combinare due suoni Synth e Modeling - i primi possono essere inseriti nella catena di modellazione (ad es. arpa blues in un amplificatore distorto)
270 suoni preimpostati suddivisi in Lead, Rhythm e Others
297 posizioni di memoria per i propri suoni
Presa USB per il collegamento di un dispositivo
Riproduzione dei dati audio (playback) tramite l'uso del pedale
Pedale di controllo e pedale d'espressione (assegnazione libera con un'ampia gamma di funzioni)
Looper di 20 secondi con sovraincisioni infinite
Il GR-55 dispone di un'interfaccia USB per l'audio e il MIDI, oltre a prese MIDI-In/Out convenzionali
Dimensioni (L x P x A): 405 x 244 x 78-106 mm
Peso: 3,3 kg
Include alimentatore
Case consigliato: art. 266346 (non incluso, acquistabile separatamente)
910 suoni diversi e modificabili tipici dei sintetizzatori Roland di ultima generazione:
Pianoforte
Archi
Fiati
Pads
Sintetizzatori vintage, ecc.
Per il funzionamento è necessario un pick-up Roland GK compatibile: GK-3 (modello per chitarra: art. 167114), GK-3B (modello per basso: art. 175409) o chitarra/basso GK-Ready e un cavo Roland GKC adatto: GKC-5 (lunghezza 5 m: art. 150593) o GKC-10 (lunghezza 10 m: art. 150591), tutti non inclusi e acquistabili separatamente
Devi effettuare il login per poter lasciare una recensione.
IMPORTANTE: Per evitare di inserire informazioni per sentito dire, non complete o sbagliate, permettiamo di dare un giudizio delle attrezzature solo ai nostri clienti che hanno comprato la merce direttamente da noi.
Dopo il Login trovi nella tua area cliente troverete sotto la sezione "Giudica i prodotti" tutti gli articoli ai quali potrete dare un giudizio
Uso il GR55 con una Godin Esafonica, ottima per l'uso in studio per creare arrangiamenti. La programmazione via pedaliera è macchinosa pero' si puo' scaricare gratuitamente grfloorboard cui diventa piu semplice impostare suoni ed effetti. Funziona bene anche con il Roland GK.
Sfortunatamente si è verificato un errore, La preghiamo di riprovare più tardi.
D
Technological Perfection
Denmus 07.07.2020
My first effects pedal was a Boss PS-2 Digital Pitch Shifter Delay pedal which I bought in 1987. I also owned a Boss SE50 & SE70 effects units during the 1990's. I loved the range of effects that these units produced but now that I own a Roland-GR55 my playing and sound has been transported to a whole new level way beyond anything I could have possibly imagined!
I am blown away by the seemingly endless variety of effects, models, instruments and combinations that are now at my finger (and toe) tips. It's like a whole new dimension of sound has been revealed to me, I'm in Tech Heaven!
I also purchased a Godin XTSA guitar which is the perfect match for this amazing piece of technology. The sound is immaculate, the response is instant & my adventure into a new world of sound scaping and experimentation has just begun. For me this is the perfect unit for my style of playing and my appetite for experimentation. The unit is extremely well built, strong, a good size for accessibility, easy to navigate and understand, an excellent overall design and has everything I've ever wanted all in one unit. I can't recommend it highly enough!
My first effects pedal was a Boss PS-2 Digital Pitch Shifter Delay pedal which I bought in 1987. I also owned a Boss SE50 & SE70 effects units during the 1990's. I loved the range of effects that these units produced but now that I own a Roland-GR55 my playing and sound has been transported to a whole new level way beyond anything I could have possibly imagined!
My first effects pedal was a Boss PS-2 Digital Pitch Shifter Delay pedal which I bought in 1987. I also owned a Boss SE50 & SE70 effects units during the 1990's. I loved the range of effects that these units produced but now that I own a Roland-GR55 my playing and sound has been transported to a whole new level way beyond anything I could have possibly imagined!
I am blown away by the seemingly endless variety of effects, models, instruments and combinations that are now at my finger (and toe) tips. It's like a whole new dimension of sound has been revealed to me, I'm in Tech Heaven!
I also purchased a Godin XTSA guitar which is the perfect match for this amazing piece of technology. The sound is immaculate, the response is instant & my adventure into a new world of sound scaping and experimentation has just begun. For me this is the perfect unit for my style of playing and my appetite for experimentation. The unit is extremely well built, strong, a good size for accessibility, easy to navigate and understand, an excellent overall design and has everything I've ever wanted all in one unit. I can't recommend it highly enough!
Sfortunatamente si è verificato un errore, La preghiamo di riprovare più tardi.
A
Sounds!
Adri 25.04.2016
I have in conjunction with a Godin guitar with Synth access.
There are so many features in this device reading the manual is a must and you have to calibrate the pick up to make it work properly.
The sound shipped are very good and you can make adjustments in order to build your preferred sound, this is based on guitar modelling, synthesized instruments and on the sounds and effects shipped with the unit, it would be amazing if you could create your synth sounds from scratch or load them from your computer, don't get me wrong, you can modify thousands of sounds but I feel they will always have a kind of roland "signature"
In the other hand it can be used as a MIDI interface and there are so many features like phrase looping, playback audio from a USB pen drive, alternative tunings, guitar models to choose from... etc, it is a worthy purchase.
You may need to adjust your technique and execution to get the most of some sounds and this can be a bit weird at first, at some point you may need to change your mind from guitar player to a sythesizer player using a guitar as interface.
I have in conjunction with a Godin guitar with Synth access.
There are so many features in this device reading the manual is a must and you have to calibrate the pick up to make it work properly.
The sound shipped are very good and you can make adjustments in order to build your preferred sound, this is based on guitar modelling, synthesized
I have in conjunction with a Godin guitar with Synth access.
There are so many features in this device reading the manual is a must and you have to calibrate the pick up to make it work properly.
The sound shipped are very good and you can make adjustments in order to build your preferred sound, this is based on guitar modelling, synthesized instruments and on the sounds and effects shipped with the unit, it would be amazing if you could create your synth sounds from scratch or load them from your computer, don't get me wrong, you can modify thousands of sounds but I feel they will always have a kind of roland "signature"
In the other hand it can be used as a MIDI interface and there are so many features like phrase looping, playback audio from a USB pen drive, alternative tunings, guitar models to choose from... etc, it is a worthy purchase.
You may need to adjust your technique and execution to get the most of some sounds and this can be a bit weird at first, at some point you may need to change your mind from guitar player to a sythesizer player using a guitar as interface.
Sfortunatamente si è verificato un errore, La preghiamo di riprovare più tardi.
Bo
Great stuff
Boris of Florence Jenkins Project 23.03.2020
The truth is I only use about 10 of the patches provided by the pedal - mostly guitar related ones. Very often use them in parallel with my JVM so that the traditional electric guitar sounds are combined with what comes from GR 55. I find it very useful as a simple way to more sound diversity in the arrangements. But the main thing is - naturally - the classic GR300 sound (and similar flavours). In jazz this fantastic sound (somewhere between trumpet / violin and distorted guitar) is practically "owned" by Pat Metheny and using it is a bit like playing "Stairway to Heaven" in a guitar shop or industry showcase. Serious offence. But it seems like dropping it here and there in alt rock arrangements can actually be appreciated by listeners in this postmodern world. And even if you do not have the guts (or are too decent ;-) to try it, this sound will absolutely suck you into long improvisations when you are rehearsing alone or jamming with your band ... Irresistible force :-)
The truth is I only use about 10 of the patches provided by the pedal - mostly guitar related ones. Very often use them in parallel with my JVM so that the traditional electric guitar sounds are combined with what comes from GR 55. I find it very useful as a simple way to more sound diversity in the arrangements. But the main thing is - naturally - the classic GR300
The truth is I only use about 10 of the patches provided by the pedal - mostly guitar related ones. Very often use them in parallel with my JVM so that the traditional electric guitar sounds are combined with what comes from GR 55. I find it very useful as a simple way to more sound diversity in the arrangements. But the main thing is - naturally - the classic GR300 sound (and similar flavours). In jazz this fantastic sound (somewhere between trumpet / violin and distorted guitar) is practically "owned" by Pat Metheny and using it is a bit like playing "Stairway to Heaven" in a guitar shop or industry showcase. Serious offence. But it seems like dropping it here and there in alt rock arrangements can actually be appreciated by listeners in this postmodern world. And even if you do not have the guts (or are too decent ;-) to try it, this sound will absolutely suck you into long improvisations when you are rehearsing alone or jamming with your band ... Irresistible force :-)
