The Lewitt LCT 640 TS is a FET (Field-Effect Transistor) large-diaphragm condenser microphone offering a level of flexibility rarely seen in professional microphones. Its standout feature is a dual-output design, which captures signals independently from the front and rear of the microphone, allowing users to adjust polar patterns (omni, wide cardioid, cardioid, supercardioid, or figure-8) in real time and even during post-production using Lewitt's POLARIZER plugin. This unlocks unique possibilities, such as tailoring a sound's spatial characteristics or experimenting with quasi-stereo effects. The microphone's remarkably flat frequency response captures every nuance with precision, making it ideal for vocal recordings, acoustic instruments, and ambient soundscapes. Ready to perform in any environment, the Lewitt LCT 640 TS comes bundled with essential accessories, including a premium shockmount, a magnetic pop filter, a foam windshield, and a rugged military-grade transport case.
The Lewitt LCT 640 TS is operated via three primary controls on the front panel. The central button cycles through the five polar patterns, while the side buttons adjust pad (0, -6, -12, or -18dB) and high-pass filter settings (40Hz, 80Hz, and 160Hz). In single-output mode, it operates like a conventional multi-pattern mic, with the signal routed through the standard XLR output. Switching to dual-output mode allows simultaneous recording from the front and rear of the capsule, with the rear signal accessed via the mini-XLR on the side. This unique feature allows users to mix polar patterns on the fly or during playback. The POLARIZER plugin streamlines the process, automating polar pattern adjustments while creating virtual stereo arrays. The LCT 640 TS thus not only beautifully captures vocals, acoustic instruments, and ensembles, it also allows subtle tonal shaping both at the recording and post-production stages.
Engineered for durability as well as performance, the Lewitt LCT 640 TS is safely housed in a die-cast zinc body with a sleek and protective black finish that exudes quality from every angle. Its wide frequency response (20Hz to 20kHz) and dynamic range of 121dB (extendable to over 150dB with the -18dB pad engaged) ensure pristine results, whether the subtle nuances of vocals and acoustic instruments, or the thunderous transients of high-pressure sources like drums and brass. The microphone's high sensitivity (30-34mV/Pa) reduces reliance on preamp gain, keeping recordings clean and free of noise. The LCT 640 TS also includes "intelligent" functions such as automatic pre-attenuation which dynamically adjusts the pad level during loud passages, and a peak saturation indicator that tracks peak and clipping history. A control lock function prevents accidental changes to settings during critical takes, ensuring consistency and reliable results.
Founded in Vienna in 2010, the midsize Austrian company Lewitt describes itself as the world's fastest-growing microphone brand, and indeed Lewitt has quickly made a name for itself among producers. The reason: The firm has a passionate team that produces remarkably transparent-sounding condenser microphones with low self-noise. Development takes place in Austria, but by producing the microphones in China, among other factors, Lewitt can offer its high-quality products at extremely low prices.
The innovative dual-output design of the Lewitt LCT 640 TS opens new creative avenues for stereo recording, normally reserved for more complex and expensive setups. When paired with a second LCT 640 TS, techniques like AB, XY, Blumlein, or ORTF, which deliver wide and immersive stereo fields, can be achieved. Even when used as a standalone microphone, the dual outputs can generate unique stereo images, including virtual mid-side arrays or back-to-back directional setups, leveraging the POLARIZER plugin. Blending the front and rear signal allows users to fine-tune proximity effects, tonal characteristics, or the ambient balance of a recording. This combination of innovative features and premium electronics redefines what is possible in both studio and location recording, setting a new benchmark for modern microphones.