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Monitor de campo cercano activo de estudio de 2 vías

  • Altavoz de graves de 6,5"
  • Altavoz de agudos de 1"
  • Electrónica controlada por DSP
  • Calibración adaptable a la sala mediante software de alineación Automatic Monitor Alignment MA 1 de Neumann (opcional, no incluido)
  • Interruptor para corrección manual de sala
  • Respuesta de frecuencia (±3dB): 39 - 21 000 Hz
  • Amplificador: 100W / 145W
  • Circuito de protección de limitador térmico/pico electrónico por separado para tweeter y woofer
  • Recinto Bass-Reflex
  • Fuente de alimentación conmutada integrada 100-240V, 50/60 Hz
  • Conexiones: 1x entrada de línea XLR, S/PDIF coaxial, puerto Ethernet
  • Dimensiones (Al x An x Pr): 345 x 225 x 273 mm
  • Peso: 8 kg
Disponible desde Septiembre 2022
número de artículo 544752
Precio por 1 Unidad(es)
Configuración (redondeado) 1x 6,5", 1x 1"
Potencia del amplificador por unidad (RMS) 245 W
Protección magnética
Entrada analógica XLR
Entrada analógica Jack No
Entrada analógica Minijack No
Entrada analógica RCA No
Entrada digital
Corrección de frecuencia manual
Respuesta en frecuencia desde 39 Hz
Respuesta en frecuencia hasta 21000 Hz
Dimensiones (mm) 345 x 225 x 273 mm
Peso (kg) 8,0 kg
Forma del recinto - Sistema de graves Bass reflex
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1.379 €
Todos los precios incluyen IVA
En stock
1
Entrega ordinaria
gratis

Se espera entre el Ju., 15.05. y el Vi., 16.05.

17 Valoraciones de los clientes

4.9 / 5
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Fabricación

12 Reseñas

google translate gb
Lamentablemente hubo un error. Por favor, inténtelo de nuevo más tarde.
M
Clarity till the bottom
MMichalis 26.03.2023
I was mixing with an old pair of Genelec 8040. My room is suboptimal (quite small, rather overtreated but still with substantial spikes in the low area), so I also used ARC2&3 and then “Reference 4” for calibration. With this system (especially with “Reference 4”) the situation became quite decent, in fact everything sounded good. However my mixes were poorly translated in other systems. Especially in hi end loudspeakers (my friend’s ATC 50 for example),there was an obvious mess in the low area and an overall lack of clarity. I decided to trust KH150 and MA1. At last I have a clear “view” of what is happening below 80-100Hz and indeed this makes a big difference in the overall mix. Clarity across the whole spectrum is also enhanced. My first impression was that the sound in the studio is not that “pleasant” any more, but the truth is that this applies for my previous mixes, not the reference tracks :-). Seriously now, my new mixes translate really better in other systems, which is the whole point I think. Finally I would like to mention that I focus in the area of folk/ world music, mixing natural instruments (or quality samples of natural instruments), with some electric elements (which has nothing to do with the EDM that Neumann mentions in their KH150 presentation and is rather unfair for these speakers).
I was mixing with an old pair of Genelec 8040. My room is suboptimal (quite small, rather overtreated but still with substantial spikes in the low area), so I also used ARC2&3 and then “Reference 4” for calibration. With this system (especially with “Reference 4”) the situation became quite decent, in fact everything sounded good. However my mixes were poorly
I was mixing with an old pair of Genelec 8040. My room is suboptimal (quite small, rather overtreated but still with substantial spikes in the low area), so I also used ARC2&3 and then “Reference 4” for calibration. With this system (especially with “Reference 4”) the situation became quite decent, in fact everything sounded good. However my mixes were poorly translated in other systems. Especially in hi end loudspeakers (my friend’s ATC 50 for example),there was an obvious mess in the low area and an overall lack of clarity. I decided to trust KH150 and MA1. At last I have a clear “view” of what is happening below 80-100Hz and indeed this makes a big difference in the overall mix. Clarity across the whole spectrum is also enhanced. My first impression was that the sound in the studio is not that “pleasant” any more, but the truth is that this applies for my previous mixes, not the reference tracks :-). Seriously now, my new mixes translate really better in other systems, which is the whole point I think. Finally I would like to mention that I focus in the area of folk/ world music, mixing natural instruments (or quality samples of natural instruments), with some electric elements (which has nothing to do with the EDM that Neumann mentions in their KH150 presentation and is rather unfair for these speakers).
Características
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14
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google translate gb
Lamentablemente hubo un error. Por favor, inténtelo de nuevo más tarde.
d
Simply amazing, studio monitors that are trustworthy.
dv445 26.04.2023
I went over by budget with these speakers, but I have to say it was all worth it. The sound coming out from them has no coloration and it's pure. The bass is deep, clean and controlled and the mids/highs are very accurate with no dips or spikes in frequency. Simply what you are hearing is the exact sound that was recorded. Their dynamic range and transients are superb, you can instantly tell if a sound needs compression for example. Also they have great stereo imaging and sound very wide. If you are a mixing engineer these speakers will make your life easier.

They also look quite great and feel very robust.

I think these are the best studio monitors you can get in this price range. Highly recommend.
I went over by budget with these speakers, but I have to say it was all worth it. The sound coming out from them has no coloration and it's pure. The bass is deep, clean and controlled and the mids/highs are very accurate with no dips or spikes in frequency. Simply what you are hearing is the exact sound that was recorded. Their dynamic range and transients are
I went over by budget with these speakers, but I have to say it was all worth it. The sound coming out from them has no coloration and it's pure. The bass is deep, clean and controlled and the mids/highs are very accurate with no dips or spikes in frequency. Simply what you are hearing is the exact sound that was recorded. Their dynamic range and transients are superb, you can instantly tell if a sound needs compression for example. Also they have great stereo imaging and sound very wide. If you are a mixing engineer these speakers will make your life easier.

They also look quite great and feel very robust.

I think these are the best studio monitors you can get in this price range. Highly recommend.
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5
1
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google translate gb
Lamentablemente hubo un error. Por favor, inténtelo de nuevo más tarde.
H
New favourite now!
Hitwave 21.07.2024
I really love the sound of this little guys. Very natural. Good stereo imaging. Great details. It's really personal, but they sound just how I want monitors to sound. And they hit really low even without the sub.
I haven't tried room correction yet, but will do soon.
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1
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google translate gb
Lamentablemente hubo un error. Por favor, inténtelo de nuevo más tarde.
r
A M A Z I N G
rbnschfs 21.01.2025
After using these monitors for a few months now, I can conclude that they are literally amazing.
When you come from a set of KRK rokit 8's these really are a game changer! there's even no need for a sub.
All in all, these monitors are just perfect for everything, from producing to listening to just daily use. Wouldn't trade them for anything.
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