Harley Benton TE-53KR BL Tribute Series

The guitar was in perfect setup from the factory; I didn't have to adjust anything, just the bridge. The sound is great; with two different pick-ups, you have a significant variability of sound. The neck fits to my hands, very "playable". Unfortunately, after two months, the humbucker broke down, so I had to send it back to Thomann for repair. It came back to me after two weeks, fitted. So be aware that this might happen.
Another thing you have to cope with is the colour of the guitar. I would prefer colour of sand (as is the original Keith Richards' Tele), not the actual English tea, mustard or diarrhea!

I was worried that a guitar for this money couldn't be a decent player. All my guitars are for gigging, I'm not a cork sniffing collector, so they must actually play and sound well. I am normally a Gibson guy, 2010 LP Trad, reissue LP Special Doublecut and '65 SG Standard - (that one is a 1965 original), so I'm not spoiled for a decent instrument. I wanted to get my hands on a Tele for the band's Stones work in Open G. This caught my eye as it is a Keefy copy. It's not exactly the same as his, of course, but I gambled I would be able to get in the right ballpark of sound with it. I was absolutely right.

The guitar is worth every penny I paid and a lot more beside. It is nicely if not superbly finished in good quality budget materials, has decent if not stunning hardware from scratch and actually has excellent pickups, (both Teslas). This gives tones ranging from the necessary Tele sharp bouncy twang, Joanne Shaw Taylor type raucous blues/rock, and even thicker humbucker neck sounds. You may lose out on the clearer single coil neck sound but, other Teles I have tried seem to miss that ability to thicken up on the neck pickup and the HS layout solves that.

The neck profile is excellent and comfortable, and the frets seem perfectly good if kind of obvious and I find they will play in a little in time. Controls are excellent, both volume and tone are gradual and spread across the whole range of their pots. Body finish is, just as you would expect nowadays, great. There is no excuse for a ropey finish with today's production lines. It isn't TV Yellow but is a nice halfway house between that and a Butterscotch.

Yes it is a cheap guitar and yes it is built to a tight and low budget but you would never know it if you play with your eyes closed. If you have to have ultimate bragging rights with your other cork sniffing mates then a £3k Fender Custom Shop is right for you. If you just pick up guitars on a case by case basis and judge them on their own sound and feel then this is a real find. How long will such a good instrument stay this cheap?

A couple of stars may be missing for natural design limitations but 5 Stars overall for its quality mixed with its basic value for money.

(For the record, this may be a good review but I am an independent customer with no link in any way to Thomann. Neither am I being offered anything for the review. Howevr, I wouldn't refuse anything if it were offered! ;^) )

I was excited to see this new offering from Harley Benton and wanted to be one of the first to order it. Yet when it arrived, the color of my guitar was an unexpected orange pumpkin, definitely not "Blonde".

The setup and tone of the guitar are both very good. Nice neck, minimum fret buzz. The Tesla pickups seem to be of good quality; not in need of an upgrade at all.
I've jammed on this guitar for a month now, I think its very decent.

Final conclusion: It is a solid guitar and sings with a good voice.

The pumpkin poop color is growing on me, it's like an ugly wife; less likely to get stolen!