Shure SM 86

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Vocal Condenser Microphone

The Shure SM86 is a condenser microphone with cardioid polar pattern for professional live use. The robust condenser microphone can withstand every stressing situation on stage, and still provides studio quality. The matched frequency response of the SM86 provides a precise reproduction of the voice, and the cardioid polar pattern, pointing directly to the signal source, ensures a almost noise-free signal. The built-in three-point shock absorber reduces handling noise, while the two-layer windscreen minimizes wind and pop noise. The SM86 is an excellent choice for both stage and in-ear monitoring.

Optimized for singing
Studio quality condenser capsule
Matched frequency response for precise reproduction of vocals.
Extremely robust design withstands extreme loads.
Cardioid polar pattern reduces unwanted background noise.
Excellent for use with stage and in-ear monitoring.
Built-in three-point shock absorber reduces handling noise.
Two-layer windscreen reduces wind and pop noise.
Frequency range: 50 Hz - 18 kHz
Output impedance: 150 O
Open circuit sensitivity: -50 dBV/ Pa (3.15 mV)
Max. SPL (at 1 kHz, 1 kO load, 0.1% THD): 147 dB
Inherent self-noise (equivalent noise level): 23 dB(A)
Power supply: 11 to 52 V
Power consumption: 5.2 mA
Dimensions (L x Ø): 183 x 49 mm
Weight: 278 g

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3-Year Thomann Warranty

Available since January 2003

Item number 158916

Sales Unit 1 piece(s)

On/Off Switch No

Polar Pattern Cardioid

Colour Black

Lo Cut No

Pad No

Diameter 49 mm

Length 183 mm

Weight 284 g

Frequency range from 50 Hz

Frequency range to 18 kHz

Microphone Mount 1

Bag 1

Windscreen optional available 165665

B-Stock from €144 available

€155

Including VAT; Excluding €15 shipping

Sales Rank

in Condenser Microphones

Information on the disposal of old devices

Bundles & offers

Shure SM 86 B-Stock
May have slight traces of use

€144

A condenser mic from the SM family

The SM86 from Shure is a cardioid condenser microphone that has been optimised for vocals, and it delivers a studio-quality sound on stage and enables the singer's voice to be transmitted cleanly. The mic's manufacturing quality is rock solid, with the capsule and the internal electronics reliably protected from damage during live use by a robust housing and metal grille. Shure specifies the microphone's frequency range as 50Hz to 18kHz, the sensitivity as 3.15mV/Pa, and the maximum sound pressure level (SPL) as 147dB. The SM86 is operated with phantom power, which must be between a minimum of 11V and a maximum of 52V.

Optimised for vocals

A look at the Shure SM 86's frequency response shows that it is not linear, but rather tailored for a clear reproduction of the human voice. In order to minimise the proximity effect, Shure's developers have reduced the bass range considerably, with the result that vocals do not sound too bass-heavy even at very short distances from the capsule. Between 2kHz and 12kHz, there is a general boost that provides increased transparency and presence. When it comes to the critical S and T sounds, there is a slight offset in the opposite direction to avoid unnecessary sharpness in the sound. Moving the mic away from the mouth reduces the volume less than is the case with other models, such as the SM58.

For technicians, bands, and vocalists

The Shure SM86 is designed primarily for professional live use, where it will impress with a sound that has plenty of presence and optimally supports the human voice, so that vocals can cut through the mix properly. The capsule of the SM86 is mounted on a three-point shock mount, which means that handling noise (including accidental foot contact with the microphone stand) will no longer be a problem. On top of that, the mic's price-performance ratio is simply outstanding: Technicians, bands, and both professional and up-and-coming vocalists will find Shure's SM86 to be a highly fitting companion.

About Shure

The American company Shure began developing microphones during the early 1930s and is one of the pioneers of the audio engineering sector. Models such as the 55 Unidyne - known to many as the "Elvis microphone" - and the SM57 and SM58 which appeared in the mid-1960s are still ubiquitous in live sound production today. They enjoy cult status among musicians and technicians alike. In the 1990s, Shure introduced the first wireless microphones and in-ear monitoring systems and became a market leader in this field. In addition to microphones, Shure offers a wide range of earphones and headphones for studio and live use, as well as various accessories.

Perfect on stage

As mentioned above, the Shure SM86 condenser microphone is particularly at home on the stage, where its very robust design will ensure that typical mishaps, such as the mic being dropped on the floor, do not cause too much damage. The capsule's built-in shock mount prevents the transmission of structure-borne sound, and an internal two-stage pop filter reduces wind and breathing noise. In addition, the cardioid polar pattern will allow easy handling while forgiving any off-axis speech and also reducing annoying background noise coming from behind the microphone. Additionally, the SM86 produces very little feedback.

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157 Customer ratings

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4.7 / 5

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90 Reviews

love it

Stephen l. 25.02.2014

such a differnt sound to an sm58..... more air and warmth... I use it in full band situations and also on solo acoustic guitar gigs. On the solo gigs the warmth really comes through and with very few feedback problems. Also used it for recording vocals and acoustic guitar and it works great... very strong and well built.

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Great mic

Kevthebass 01.03.2022

Wanted to try a cardioid mic to compare with our vocalist's current super cardioid SM58 Beta. Far superior clarity, no need to be "on the mic" so allows the vocalist more freedom to express their voice better. Cheaper than an SM58 Beta, so unless your band is really loud on stage, highly recommended.

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Clear and true sound

Jenick 16.09.2022

It is my first vocal condenser microphone. Compared to the SM58 this one has a larger frequency range towards the higher frequencies while still retaining great resistance to feedback. It doesn't suffer too much from the proximity effect as its response is limited at lower frequencies. Handling noise is also minimal. There are more expensive and better microphones with larger diaphragms, but this one does its job well too.

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Upgrade from SM58

ABScott 19.01.2019

I have nothing bad to say about this microphone, I upgraded from the SM58 as I felt I wasn't getting the warmth I wanted as I perform with only an acoustic guitar. This microphone gives a much fuller sound to your voice and has allowed me to fully immerse myself into the music without concerning myself with my sound.

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Shure SM 86

Vocal Condenser Microphone